|
PROJEKTE
|
![linus^](../home page - archive/linus1.jpg) |
|
LINUS ELMES - NETRES 11 - Curator-in-residence
|
|
![](../home page - archive/EoD.jpg) |
|
KARIN LAANSOO - NETRES 10 - Curator-in-residence
|
|
![](../home page - archive/prenzlauerberg3.jpg) |
|
ANTHONY MARCELLINI- NETRES 10 - Artist-in-residence
|
|
![](../home page - archive/ic.jpg) |
|
DIVA-RESIDENCY_PROGRAMME
|
|
![](../home page - archive/ykon - summit1.jpg) |
|
MICRONATIONS AND MICRO NATIONS SUMMIT - SUBVISION ART FESTIVAL OFF
|
|
![](../home page - archive/ykon_game-small.jpg) |
|
YKON GAME - SUBVISION ART FESTIVAL OFF
|
|
![](../home page - archive/3.jpg) |
|
SUM UP! - SPARWASSER HQ AT SUBVISION ART FESTIVAL OFF
|
|
![](../home page - archive/netres - stage1.jpg) |
|
SOLVEJ HELWEG OVESEN - NETRES 09 - Theorist-in-residence
|
|
![](../home page - archive/excreta.jpg) |
|
PETER VAN DER MEIJDEN - NETRES 08 - Theorist-in-residence
|
|
![](../home page - archive/politiche11.jpg) |
|
SPARWASSER HQ PARTICIPATES IN POLITICHE
|
|
![](../home page - archive/art as a protogonist_Alexandra_Croitoru1.jpg) |
|
ART AS A PROTOGONIST
|
|
![´](../home page - archive/Escape1.jpg) |
|
THE ESCAPE ROUTE'S DESIGN
|
|
![](../home page - archive/AgnesGeoffray - ARchitectures of survival1.jpg) |
|
ARQUITECTURES OF SURVIVAL
|
|
![](../home page - archive/common words1.jpg) |
|
104. COMMON WORDS
|
|
![](../home page - archive/freunde und bekannte.jpg) |
|
FREUNDE UND BEKANNTE
|
|
![](../home page - archive/ARTISTS TALKS - talk sofo2-1.jpg) |
|
ARTISTS TALK
|
|
![](../home page - archive/i know the world1.jpg) |
|
I KNOW THE WORLD 1
|
|
![](../home page - archive/i know the world 2-1.jpg)
|
|
I KNOW THE WORLD 2
|
|
![](../home page - archive/i know the world3.jpg) |
|
I KNOW THE WORLD 3
|
|
![](../home page - archive/i know the world3.jpg) |
|
I KNOW THE WORLD 4 |
|
![](../home page - archive/the head shot1.png) |
|
THE AMERICAN HEADSHOT
|
|
![](../home page - archive/ARTISTIC ARCHIVE AS THE PARADIGM OF NEW MEDIA ART1.jpg) |
|
ARTISTIC ARCHIVE AS THE PARADIGM OF NEW MEDIA ART
|
|
![](../home page - archive/social mental enviorement-1.jpg) |
|
SOCIAL MENTAL ENVIRONMENTAL
|
|
![](../home page - archive/laboratorio curatorial 0601.png) |
|
LABORATORIO CURATORIAL 060
|
|
![](../home page - archive/self organization as method of art production1.png) |
|
SELF-ORGANIZATION AS METHOD OF ART PRODUCTION
|
|
![](../home page - archive/2mintomidnight1.jpg) |
|
2 MINUTES TO MIDNIGHT
|
|
![](../home page - archive/I, Soldier1.jpg) |
|
THE GLOWING WISTLE FESTIVAL
|
|
![](../home page - archive/exeuropes1.jpg) |
|
FUTURAMA and re-inventing tradition
|
|
![](../home page - archive/urban interface1.jpg) |
|
URBAN INTERFACE BERLIN
|
|
![](../home page - archive/evidentlocker.jpg) |
|
JILL MAGID'S Evidence Locker
|
|
![](../home page - archive/complaints choir1.jpg) |
|
THE COMPLAINTS CHOIR
|
|
![](../home page - archive/VDSNAP2-1.jpg) |
|
SCCA PRESENTS VIDEO-PROGRAMS
|
|
![](../home page - archive/SLIPPING BACK INTO THE DARKNESS1.jpg) |
|
SLIPPING BACK INTO THE DARKNESS
|
|
![](../home page - archive/between acts -somethingtolove21.jpg) |
|
BETWEEN ACTS
|
|
![](../home page - archive/every story tells a picture-2.jpg)
|
|
EVERY STORY TELLS A PICTURE
|
|
![](../home page - archive/radio sparwasser1.jpg) |
|
SPARWASSER HQ NEIGHBOR RADIO
|
|
![](../home page - archive/public services1.jpg) |
|
PUBLIC SERVICES
|
|
![](../home page - archive/dowdos1.png) |
|
THE DOWDOS
|
|
![](../home page - archive/the monumental1.jpg) |
|
THE MOMENTAL
|
|
![](../home page - archive/guide to write history1.jpg) |
|
A COMPLETE GUIDE TO REWRITING YOUR HISTORY1 |
|
![](../home page - archive/complete guide to write history1.jpg) |
|
A COMPLETE GUIDE TO REWRITING YOUR HISTORY2 |
|
![](../home page - archive/wronged attitudes1.jpg) |
|
WRONG(ED) ATTITUDES |
|
![](../home page - archive/micro nations agency1.jpg) |
|
MICRONATIONS TRAVELLING AGENCY
|
|
![](../home page - archive/legend of origins1.jpg) |
|
AN UNLIKELY RETURN TO THE LEGEND OF ORIGINS
|
|
![](../home page - archive/document exhibition11.jpg) |
|
ARTISTS-IN-RESIDENCE IN SINGAPORE_ DOCUMENT EXHBITIONS AND WRITING ART HISTORY?
|
|
![](../home page - archive/colective curator1.gif) |
|
COLLECTIVE CURATING
|
|
![](../home page - archive/actiontrafo1.jpg) |
|
SPARWASSER HQ C/O TRAFO GALLERI
|
|
![](../home page - archive/SUSPEND DISBELIEF1.jpg) |
|
SUSPEND DISBELIEF
|
|
![](../home page - archive/year of perfect days1.jpg) |
|
YEAR OF PERFECT DAYS
|
|
![](../home page - archive/curating degree zero1.jpg) |
|
CURATING DEGREE ZERO ARCHIVE
|
|
![](../home page - archive/folkelighed1.jpg) |
|
THE "FOLKELIGHED"(A DANISH WORD THAT CANNOT BE TRANSLATED)
|
|
![](../home page - archive/CitySellingCityTelling1.jpg) |
|
CITY SELLING CITY TELLING
|
|
![](../home page - archive/DYING TO MAKE A LIVING1.gif) |
|
DYING TO MAKE A LIVING
|
|
![](../home page - archive/ho_tzu_nyen- the bohemian rapsody1.jpg) |
|
THE BOHEMIAN RAPSODY
|
|
![](../home page - archive/the gift1.jpg) |
|
THE GIFT
|
|
![](../home page - archive/situation egill.sabjornsson.thebox.jpg) |
|
SITUATION : COLLABORATIONS, COLLECTIVES AND ARTIST NETWORKS FROM SYDNEY, SINGAPORE AND BERLIN
|
|
![](../home page - archive/old habits1.jpg) |
|
OLD HABITS DIE HARD
|
|
![](../home page - archive/PLACEBOEFFECT1.jpg) |
|
PLACEBO EFFECT
|
|
![](../home page - archive/thinking archive1.jpg) |
|
THINKING ARCHIVES. ARCHIVING THOUGHTS
|
|
![](../home page - archive/the illumination project and swop network1.jpg) |
|
THE POWER & ILLUMINATION PROJECT AND SWOP NETWORK
|
|
![](../home page - archive/collage party 2-1.jpg) |
|
COLLAGE PARTY
|
|
![](../home page - archive/International Necronautical Society1.jpg) |
|
THE INTERNATIONAL NECRONAUTICAL SOCIETY (INS)
|
|
![](../home page - archive/Pledge1.jpg) |
|
PLEDGE
|
|
![](../home page - archive/Subject to Endless GossipA1.jpg) |
|
SUBJECT TO ENDLESS GOSSIP
|
|
![](../home page - archive/One hour show1.jpg) |
|
ONE HOUR SHOW
|
|
![](../home page - archive/selforganisation talk21.jpg) |
|
SELFORGANIZATION
|
|
![](../home page - archive/IMAGINARY IS POTENCIAL1.jpg) |
|
IMAGINARY IS POTENCIAL
|
|
![](../home page - archive/FRISCHESPORES&MOLEKULES1.jpg) |
|
FRISCHESPORES & MOLEKULES
|
|
![](../home page - archive/PUSH THE ENVELOPE1.gif) |
|
PUSH THE ENVELOPE
|
|
![](../home page - archive/SPARWASSER HQ AT PLATFORM ISTAMBUL11.jpg) |
|
SPARWASSER HQ AT PLATFORM ISTANBUL
|
|
![](../home page - archive/SPARWASSER HQ_LISE NELLEMAN INHAMBURGER BAHNHOF, BERLIN1.jpg) |
|
SPARWASSER HQ/LISE NELLEMAN IN HAMBURGER BAHNHOF, BERLIN
|
|
![](../home page - archive/why work1.jpg)
|
|
WHY WORK?/!AMNISTIA!/CIVIC
|
|
![](../home page - archive/UNWETTER1.jpg) |
|
UNWETTER
|
|
![](../home page - archive/Breaking the Law (part one)1.jpg) |
|
BREAKING THE LAW (PART ONE) |
|
![](../home page - archive/CONCRETE HEART a rock opera1.jpg) |
|
CONCRETE HEART a rock opera
|
|
![](../home page - archive/The End of Travelling (Trip to Asiatown and Back)1.jpg) |
|
THE END OF TRAVELLING (TRIP TO ASIATOWN AND BACK)
|
|
![](../home page - archive/NOMAD JOB1.jpg) |
|
NOMAD JOB
|
|
![](../home page - archive/Lost (Found Tracks)1.gif) |
|
LOST (FOUND TRACKS)
|
|
![](../home page - archive/CLOCKWISE New Nordic Contemporary Art1.jpg) |
|
CLOCKWISE - NEW NORDIC CONTEMPORARY ART
|
|
![](../home page - archive/Europa-musikanten1.jpg) |
|
EUROPA-MUSIKANTEN
|
|
![](../home page - archive/ABNORMAL AUDIO1.jpg) |
|
ABNORMAL AUDIO
|
|
![](../home page - archive/let's crystallize1.jpg) |
|
LET'S CRYSTALLIZE
|
|
![](../home page - archive/art forum berlin 20021.png) |
|
ART FORUM BERLIN 2002
|
|
![](../home page - archive/the island and the aeroplane.jpg) |
|
THE ISLAND AND THE AEROPLANE
|
|
![](../home page - archive/structures1.png) |
|
STRUCTURES
|
|
![](../home page - archive/Kunst-Werke '93 Sparwasser HQ '021.jpg) |
|
KUNSTWERK '93 - SPARWASSER HQ '02
|
|
![](../home page - archive/reconstruction_deconstruction1.jpg) |
|
RECONSTRUCTION _ DECONSTRUCTION
|
|
![](../home page - archive/BLOCKISM1.jpg) |
|
BLOCKISM
|
|
![](../home page - archive/BLICK - New Nordic Film & Video1.jpg) |
|
BLICK - New Nordic Film & Video
|
|
![](../home page - archive/EXPECT THE WORLD1.jpg) |
|
EXPECT THE WORLD _ MOI NON PLUS
|
|
![](../home page - archive/Buero fuer sozialpol.jpg) |
|
BÜRO FÜR SOZIAL - POLITISCHE RAUMFAHRT _ STATE OF MIND
|
|
![](../home page - archive/THE HARDER THEY GET.jpg) |
|
THE HARDER THEY COME... DEMAPPING MASCULINITY
|
|
![](../home page - archive/soft guys for hard times 1.jpg) |
|
SOFT GUYS FOR HARD TIMES
|
|
![](../home page - archive/ED.jpg) |
|
ED OSBORN / AIR DRIVER
|
|
![](../home page - archive/dream operator - forrest1.jpg) |
|
DREAM OPERATOR
|
|
![](../home page - archive/my wall painting is cracking1.jpg) |
|
MY WALL PAPER IS CRACKING
|
|
![](../home page - archive/copenhagen brands11.jpg) |
|
COPENHAGEN BRANDS
|
|
![](../home page - archive/KIRSTEN1.jpg) |
|
KIRSTINE ROEPSTORFF AND KIRSTEN PIEROTH
|
|
![](../home page - archive/FAI DA TE (the amateur view)1.jpg) |
|
FAI DA TE (THE AMATEUR VIEW)
|
|
![](../home page - archive/4 spaces 4 artistas- liseharlev2gross1.jpg) |
|
4 SPACES - 4 ARTISTS
|
|
![](../home page - archive/freeways and garage1.jpg) |
|
FREEWAYS AND GARAGE
|
|
![](../home page - archive/Nachladen - lava1.jpg) |
|
NACHLADEN
|
|
![](../home page - archive/WE WANT TO BELIEVE1.jpg) |
|
WE WANT TO BELIEVE
|
|
![](../home page - archive/pineaple - LilibethC.Rasmussen1.jpg) |
|
THE PINEAPPLE GOES BERLIN
|
|
|