Sparwasser
HQ is pleased to host the temporary Berlin Office of the International
Necronautical Society (INS).
Launched
in 1999 in London with a bombastic Manifesto declaring that death
is a type of space, the International Necronautical Society (INS)
is a pseudo-bureaucratic organisation that, appropriating and
re-purposing both Soviet and corporate systems and the defunct
structures of early twentieth century avant-gardes, operates
in what INS General Secretary Tom McCarthy has called the 'mediasphere'.
Interventions to date have included the re-enactment in a Dutch
wind tunnel of a Mafia shootout (2001), public Committee Hearings
into Transmission, Death and Technology (2002), the infiltration
of the BBC website (2003) and the setting up of a Broadcasting
Unit at London s ICA (2004). This last project, which involved
world maps and more than fifty agents in an elaborate text and
data processing set-up, merged scenes from Jean Cocteau's 1950
film Orphée with William Burroughs's world of control
rooms to produce a constant stream of cut-up, lyrical, crackling
propaganda which was transmitted on FM radio in the London area
and via the internet to collaborating stations in Europe and
America.
Following
an invitation by independent curator Diana Baldon, the INS is
primed to move into the loaded historico-politico-aesthetic zone
of Berlin. On July 10th 2004, for a period of only twelve days,
the INS will open a Berlin office in Sparwasser HQ which will
be used as a venue for Advance Reconnaissance to contact key
cultural agents prior to the future arrival of a team of INS
Inspectorate specialists, who will survey the city along central
INS concerns of marking and erasure, transit and transformation,
cryptography and death. The documents of the constantly expanding
INS archive will be made available for scrutiny at Sparwasser
HQ.
INS
General Secretary Tom McCarthy will be formally presenting the
organisation to an audience of press and public on Saturday July
10th at 1800h, outlining its theoretical framework.
INS
Press Service: Background information, official press releases,
press photos:
http://www.vargas.org.uk/press
'From the appropriation of bureaucratic language to meticulous
reporting and documentation, everything about the INS has Kafkaesque
overtones belongs to the conceptual lineage of groups such as
Laibach and the associated Neue Slovenische Kunst.' The Wire
(London, 2003)
'a
mysterious organisation hovering between the worlds of art, philosophy
and espionage...' Blast
Magazine (Paris, 2003)
'The
INS stands for a horror of finished truths and a compulsive probing
of the possibilities and failures of language. It satirises the
old Avant Gardes by hinting at repressive undercurrents while
suggesting, in effect, that their time has passed and today's
cultural networks are based on virtual intimacies, like those
that exist between radio operators and their listeners.' Art
Monthly (London, 2004)
Advance
Reconnaissance is supported by The British Council and Sparwasser
HQ.