THE VIDEO
03/03/03
An artistic action in order to ritualize a marginal social reality.
Art Orienté objet (Paris)
Some situations are hardly tolerated by the Western world, which thus
prove its own limits.
We happen to be in one of these situations : once a « normal » couple
in regard of the criteria of Western society, ours transformed into an
unfamiliar and, according to its law, impossible status, the polyandry.
Since three years, we built a stable family relationship constituted by
a woman and two men. Now none social and juridical structure admits
this situation, nor this of polygamy, although such « problematic »
situations like homosexual couples start getting recognition by the
french law (cf the PACS).
Why an attempt to make this situation legal ?
Apart from ideological or ethical reasons there are material reasons
related to the property’s laws or the social status : thus a child
whose mother would accidentally die in a polyandric couple would
eventually by excluded from its former family ; if its biological
father happens to die, the couple will have to commit a long and
difficult adoption procedure ; if its non-biological father dies, he
would not be considered as legal heir…
The foreign situation
Considering the long list of prohibitions attached to such
realities in the laws of all sorts of countries, rooted into
judaic-christian ethics, we tried to scan the anthropological
antecedents. Thus polyandry is a current and legal custom in Tibet,
where a woman marries a man and his brothers, but it also can be seen
in India (the Kanets, the Bushaharas, the Thakkars, the Megs, the
Kotas, etc.), in Africa (in the middle of Nigeria, among the Bashileles
in Kasaï and among the Mangos in Gabon), and in South America (the
Chocoes indians of Panama)…
Nevertheless the tribal situation is hardly tolerated and it
corresponds rarely to a legally and administratively recognized
reality.
Numerous attempts have been made in France to change the law regarding
the marital regime from immigrated polygamic couples, none of these
attempts has succeeded in transforming into a case-law, because
polygamy is considered as the extension of a religious trend,
minoritary in France : Islam. Still exist some overseas french
territories where it holds the majority and therefore is legally
authorized : Mayotte and Wallis and Futuna.
Why considering this action as an artistic experiment ?
In the way we consider it, art can’t be cut from our existence
and from experiments which feed it ; besides it works as a revealer of
individual awareness, and therefore it bears a specific duty, almost
mantic, this of snatching the spiritual freedom from the both bodily
and social carcan.
Polyandry always led to unhappy ends in judaic-christian
tradition, from Tristan and Isolde to Jules et Jim from Truffaut… We
would like to enlarge the cultural field in order to detragedize a
reality which in other traditions does not necessary lead to a deadly
end. We would like to create a space of possibility, a sort of utopia,
by trying to make legal a polyandric wedding contracted in Wallis and
Futuna ; so doing, we will argue that, man and woman being equal in
front of the french law, the polyandric wedding should be recognized in
the same extent as the polygamic one. Since we know such trial can take
lots of time, and can also confront the lack of understanding of the
jurists, we would like to produce the ritual and the ceremonial objects
of our « Western » polyandric wedding. We will create an artistical
environment of ceremony, which in a way would validate the wedding in
the context of the exhibition. The exhibition space would change status
to become a non-juridic public space, a space of possibility and
freedom able to welcome the social utopia of an outlaw wedding. After
the ceremony which would take place in the very space of the
exhibition, with the participation of an officiant invited for this
special ceremony, the ritual objects and the personal souvenirs created
for this project will remain enigmatically on site.
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THE ARTISTS
Art Orienté objet,
Art Orienté objet (marion laval-jeantet & Benoit Mangin), founded in 1991 in Paris.
Marion Laval-Jeantet and Benoît Mangin came together in 1991 to form
Art Orienté objet. In a collaboration that resembles that between a
playwright and a stage director who are in constant dialogue (we can
see them as artist and ‘artistic-output-director"), they are fascinated
by the sciences of life in general and of behavior in particular—from
ethology to trans-cultural psychiatry. During the last ten years, they
have put forth several poetic and surprising projects that have
resulted from their experimentations and that reveal our behaviors as
we face existence and the environment. Their works take on various
aesthetic forms (installations, objects, videos, and/or photographs) in
which we find a familiar animal presence and a staging of their own
existence.
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THE SPACE/COLLECTIVE
bordercartograph
who is the head of the collective "bordercartograph" sent us a text to describe their activities:
In « bordercartograph » mailing list there are artists, students,
researchers, activists. Many of us don't have private internet use. It is
not a set group, except for a few founders. Ever since February 2000 people
have joined or left, as happens in life. These bordercartographs come from
several continents, and the Europeans come from Western or Eastern
countries.
How did this gathering become a reality? Whom did I need to meet? why? The
answer is autobiographical. At a moment in my life linked to my professional
life, a turning point happened. I needed an open world to live in. Our
Western world seemed to be getting more and more narrow. I met the right
people and constructed a relationship with them through strong common
interests and personal feelings. I could call it a practice of
displacement. http://www.moneynations.ch/euroland/displacement_for
I am for ever taking a trip here in Paris, thanks to people from all over
the world, developing a deep exchange with them, in life and on line. The
internet is a means to communicate, among many others. It's fascinating, but
it's not self-sufficient.
The language we use is French, at times some Italian, some Spanish,some
English. Our french is not pure French, because only few of us are of French
origin .The others are from Romania, Albania, Italy, Lebanon, Tunisia,
Mauritania, Senegal, Cameroon, Venezuela, Argentina, etc. Participants from
Africa have a perfect mastery of French. Ourselves from Eastern Europe know
it much less.
We all travel among languages, we know several languages, we circulate
freely from one to another. If you know a little bit of French, don't
hesitate to enter the « bordercartograph » discussion list:
http://www.namediffusion.net
marion baruch
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