Education
Mills College, Oakland, CA, M.F.A. (1992).
Wesleyan University, Middletown, CT, B.A. (1987).

Solo Exhibitions
2001 singuhr-hörgalerie, Berlin, Germany
Klangturm, St. Pölten, Austria
MATRIX Program, Berkeley Art Museum, Berkeley, CA.
1999 Artspace, Sydney, Australia.
Thompson Art Gallery, San Jose State University, San Jose, CA.
1998 Fairfield Center Gallery, Fairfield, CA.
Galerie DARE-DARE, Montréal, Quebec.
1997 Catharine Clark Gallery, San Francisco, CA.
1996 Museum of Applied Arts, Helsinki, Finland.
Kästrich, Mainz, Germany.
Yerba Buena Center for the Arts, San Francisco, CA.
Urban Institute for Contemporary Art, Grand Rapids, MI.
LACE, Los Angeles, CA.
1995 Rensallaer Center for Contemporary Art, Troy, NY.
San Francisco Arts Commission Gallery, San Francisco, CA.
Morphos Gallery, San Francisco, CA.
Modern Fuel Gallery, Kingston, Ontario.
1994 Het Apollohuis, Eindhoven, Netherlands.
1993 The LAB, San Francisco, CA.
1992 Southern Exposure Gallery, San Francisco, CA.
Pro Arts Gallery, Oakland, CA.
1990 Mobius, Boston, MA.

Public Projects
2002 SoundGarden Project, San Francisco, CA.
1999 Cascade, Otira, New Zealand.
1998 Walkway, North Adams, MA.
1994 Sound Sign for Eichelbergers, San Francisco, CA.
1991 Even Monkeys Fall From Trees, Philadelphia, PA.

Group Exhibitions
2001 Sparwasser HQ, Berlin, Germany
Physics Room, Christchurch, New Zealand, 4eva (on-line)
Brandenburgischen Kunsttage, Drewen, Germany.
MAIS, Blochplatz Bunker, Berlin, Germany.
The Drunken Boat, New York, NY (on-line)
Catharine Clark Gallery, San Francisco, CA, 1010 - 10th Anniversary Show.
Centre de Cultura Contemporània de Barcelona, Spain, Zeppelin Sound Art Festival.
2000 Virgin Atlantic Terminal, SFO, San Francisco, CA, Bay Area Connections.
send + receive festival, Winnipeg, MB, Canada.
Physics Room, Christchurch, New Zealand, Tectonic.
Catharine Clark Gallery, San Francisco, CA, Aural Sex.
Inventionen 2000, Berlin Germany.
San Francisco Electronic Music Festival, San Francisco, CA
Künstlerhaus, Vienna, Austria, Sounds and Files.
Spaces Gallery, Cleveland, OH, Atmospheric Conditions.
Bay Area Discovery Museum, Sausalito, CA, Play It By Ear II.
Stetson University, Deland, FL, Technology & Identity.
Sonoma Museum of Visual Art, Santa Rosa, CA, Small Objects for Sound & Light.
New Langton Arts, San Francisco, CA, Net Work.

Group Exhibitions (cont.)
1999 Centre de Cultura Contemporània de Barcelona, Spain, En Red O Soundscapes
Universidad de Castilla La Mancha, Cuenca, Spain, Situaciones.
Tryon Center for Visual Art, Charlotte, NC, Inaugural Exhibition.
Museum of Contemporary Art, Helsinki, Finland, Sound Box 2.
Bay Area Discovery Museum, Sausalito, CA, Play It By Ear.
SoundCulture 99, Auckland Art Gallery, Auckland, New Zealand
Le Wagram, Nice, France, Collage JukeBox.
Catharine Clark Gallery, San Francisco, CA, Spinal Epidural, Please!
Musée d'Art Contemporain , Lyon, France, Musique en Scene: Collage Jukebox.
Oblique, Otira, New Zealand
1998 Catharine Clark Gallery, San Francisco CA, Interiors.
Brisbane Festival, Institute of Modern Art, Brisbane, Australia.
Sherry Frumkin Gallery, Santa Monica, CA, Technical Poetics.
Bregenzer Kunstverein, Bregenz, Austria, Kunst in der Stadt II: Collage JukeBox.
Massachusetts Museum of Contemporary Art, North Adams, MA, EarMarks.
Meltdown Festival, South Bank Centre, London, England, Resonance FM.
New Langton Arts, San Francisco, CA, Dromology: Ecstasies of Speed.
Museum of Contemporary Art, Helsinki, Finland, Sound Box.
1997 Index, Stockholm, Sweden, Auto Show.
Shift, Berlin, Germany, Traveling Without Moving, with Olav Westphalen.
Arcana, New York, NY, Wish You Were Here.
Tweed Museum of Art, Duluth, MN, Endeavor: I Ask You.
1078 Gallery, Chico, CA, EarArt.
1996 Sonambiente Festival, Berlin, Germany.
Four Walls, San Francisco, CA, Inter-Galactic.
San Francisco Arts Commission Gallery, San Francisco, CA, Techne.
1995 ISEA 95, Montréal, Quebec.
Secession Gallery, San Francisco, CA, Discards.
Richmond Art Center, Richmond, CA, Anonymous Arrangement.
Headlands Center for the Arts, Sausalito, CA.
Falkirk Cultural Center, San Rafael, CA, Long Horizons.
Victoria Room, San Francisco, CA, Big Jesus Trash Can.
1994 Secession Gallery, San Francisco, CA, Site As Music.
Titanik Gallery, Turku, Finland, Elsewhere.
Works/San Jose, San Jose, CA, Dancing on the Continuum.
Memorial University Art Gallery, St. John's, Newfoundland, Sound City Spaces.
Falkirk Cultural Center, San Rafael, CA, Interactions.
Exploratorium, San Francisco, CA, Compose Yourself
Victoria Room, San Francisco, CA, Resonant Systems.
Spaces, Cleveland, OH, Reverberations.
1993 Pro Arts Gallery, Oakland, CA, Pro Arts Annual.
1992 Ghia Gallery, San Francisco, CA, Landlocked.
1991 Festival Mythos, Philadelphia, PA.
Pro Arts Gallery, Oakland, CA, The Blue Book Chronicles.
Prieto Gallery, Oakland, CA, Electronic Music Plus Festival.
1989 Grossman Gallery, Museum School, Boston, MA, Faculty Exhibition.

Performances
2002 MeX, Dortmund, Germany
Gallery Haferkamp, Cologne, Germany
Carillon, Tiergarten, Berlin, Germany
Local Music, Berlin, Germany
Kule, Berlin, Germany
21 Grand, Oakland, CA
Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Logos Foundation, Ghent, Belgium.
2000 K77, Berlin, Germany
1999 Lincoln Center, New York, NY
1998 The LAB, San Francisco, CA
1996 Urban Institute for Contemporary Art, Grand Rapids, MI
Performances (continued)
1995 Universidade de Brasília, Brasília, Brazil.
Intersection for the Arts, San Francisco, CA.
1994 Freunde Guter Musik Berlin, Berlin, Germany.
SKOP, Frankfurt, Germany.
ISEA 94, Helsinki, Finland.
Sound Symposium, St. John's, Newfoundland.
1993 Experimental Intermedia Foundation, New York, NY.
Audio Visual Experimental Festival, Arnhem, Netherlands.
VPRO Radio, Amsterdam, Netherlands.
Logos Foundation, Ghent, Belgium.
Feedback Studio, Cologne, Germany.
Het Apollohuis, Eindhoven, Netherlands.
Victoria Room, San Francisco, CA.
Festival de Musica Contemporanea, Santafe de Bogota, Colombia.
1992 Pro Arts Gallery, Oakland, CA.
Roulette, New York, NY.
Amica Bunker, New York, NY.
800 East Gallery, Atlanta, GA.
Outpost, Albuquerque, NM.
1991 Oakland Museum, Oakland, CA.
Sonic Disturbances Festival, Cleveland, OH.
1990 Kaleidoscope, San Francisco, CA.
Gargoyle Mechanique, New York, NY.
WMWM-FM, Salem, MA.
Generator, New York, NY.
AS 220, Providence, RI.
Worcester Artist's Group, Worcester, MA.
Zone Art Center, Springfield, MA.
1989 Real Art Ways, Hartford, CT, New England Composers Festival.
Knitting Factory, New York, NY.
New Langton Arts, San Francisco, CA.
WBRS-FM, Waltham, MA.
WZBC-FM, Boston, MA.
Mobius, Boston, MA, performance with Larry Johnson.
Real Art Ways, Hartford, CT, Local Circuits Festival.
Kingston Gallery, Boston, MA.
1988 Mobius, Boston, MA, performance with Steve Leblanc and Beth Cataldo.
Roulette, New York, NY.
Mobius, Boston, MA, performance with Rusty Martin.
1986 Real Art Ways, Hartford, CT, Connecticut Composers Festival.

Professional Activities
Curator, Corporeal Sky, Physics Room, Christchurch, New Zealand, & Artspace, Sydney, Australia, 1999
Co-Curator (with April Latranga), Sinusoidal, San Francisco State University, San Francisco, CA, 1999.
Member, Artists Committee, San Francisco Art Institute, San Francisco, CA, 1997-99.
Director, SoundCulture 96, a Pacific Region festival of sonic arts, 1994-96.
Board Member, Ubu, Inc., a non-profit sound arts consortium, San Francisco, CA, 1995-present.
Curatorial Committee, The LAB, San Francisco, CA, 1994-present.

Residencies
2000 DAAD Artists In Berlin Program, Berlin, Germany.
Polar Circuit 3, Rovaniemi, Finland.
Tryon Center for Visual Art, Charlotte, NC.
1999 Artspace, Sydney, Australia.
Djerassi Resident Artist Program, Woodside, CA.
Center for Research in Computing and the Arts, UC San Diego, San Diego, CA.
1998 Polar Circuit 2, Tornio, Finland
1995 Headlands Center for the Arts, Sausalito, CA.
Residencies (continued)
1994 STEIM, Amsterdam, Netherlands.
Het Apollohuis, Eindhoven, Netherlands.
1993 Banff Center for the Arts, Banff, AB, Canada.
The LAB, San Francisco, CA.

Grants and Awards
2000 Guggenheim Fellowship, Guggenheim Foundation, New York, NY
Creative Artist Fellowship, Oakland Cultural Affairs Commission, Oakland, CA.
1996 Creative Work Fund, San Francisco, CA.
Lannan Foundation, Los Angeles, CA.
2002 Travel Grant, Arts International, New York, NY (& 1994).
1992 Performance Grant, Meet the Composer, New York, NY.
Crothers Award for Music Composition, Mills College, Oakland, CA.
1991 Performance Grant, Meet the Composer/California, Los Angeles, CA.
1989 Audio Services Grant, Harvestworks, New York, NY.

Teaching & Lectures
2001 Freie Universität, Berlin, Germany
Mills College, Oakland, CA (& 1998, 1989)
2000 Technishe Universität, Berlin, Germany, guest lecturer.
University of California at Davis, Davis, CA, instructor.
Davidson College, Davidson, NC, guest lecturer.
Kent State University, Kent, OH, guest lecturer.
University of Akron, Akron, OH, guest lecturer.
Cleveland Institute of Art, Cleveland, OH, guest lecturer.
Critical Issues in Net Art Symposium, University of California at Berkeley, Berkeley, CA
Stetson University, Deland, FL, guest lecturer
1999 Tasmanian School of Art , Hobart, Tasmania, Australia, guest lecturer.
San Francisco International Art Exposition, San Francisco, CA, panelist.
Interval Research Corporation, Palo Alto, CA, guest lecturer.
San Jose State University, San Jose, CA, guest lecturer.
University of California at Davis, Davis, CA, guest lecturer (&1998).
School of the Art Institute of Chicago, guest lecturer.
Physics Room, Christchurch, New Zealand, guest lecturer.
University of Canterbury, Christchurch, New Zealand, guest lecturer.
Otago Polytechnic School of Art, Dunedin, New Zealand, guest lecturer.
Auckland Art Gallery, Auckland, New Zealand.
Elam School of Art, Auckland, New Zealand, guest lecturer.
California College of Arts and Crafts, Oakland, CA, instructor (& 1995, 1994).
San Francisco Art Institute, San Francisco, CA, guest lecturer (& 1998, 1997, 1995, 1994, 1991).
University of California at San Diego, San Diego, CA, guest lecturer.
1998 Queensland College of Art, Brisbane, Australia, guest lecturer.
Volt Symposium, State Library of Queensland, Brisbane, Australia.
Mills College, Oakland, CA, guest lecturer (& 1989).
San Francisco State University, San Francisco, CA, instructor (& 1997, 1995).
Solano Community College, Suisun, CA, guest lecturer.
Columbus College of Art & Design, Columbus, OH, guest lecturer.
International Center for Digital Art, San Francisco, CA, instructor (& 1997).
Kala Institute, Berkeley, CA, instructor.
1997 International Conference on Auditory Display, Palo Alto, CA, panelist.
1996 Grand Valley State University, Allendale, MI, guest lecturer.
Kendall College, Grand Rapids, MI, guest lecturer.
1995 Bard College, Annandale-on-Hudson, NY, guest lecturer.
Rensselaer Polytechnic Institute, Troy, NY, guest lecturer.
Hudson Valley Community College, Troy, NY, guest lecturer.
Society for Photographic Education, Western Regional Conference, Valencia, CA, panelist.
1993 Academie voor Beeliende Kunst St. Joost, Breda, Netherlands, guest lecturer.
1992 Georgia State University, Atlanta, GA, guest lecturer.
1991 University of the Arts, Philadelphia, PA, guest lecturer.
1988 School of the Museum of Fine Arts, Boston, MA, instructor (1988 - 1990).
Sound Design
Made In USA: The Angel Island Project, by Flo Oy Wong, Angel Island, CA, 2000
Speaking In Tongues: A Look at the Language of Display, by Fred Wilson, M.H. de Young Memorial Museum, San Francisco, CA, 1999.
Swatch Pavilion, Pfau Architecture, Expo 98, Lisbon, Portugal, 1998.
The Hospital: Five Confessions, Ilya Kabakov, Capp Street Project, San Francisco, CA, 1997.
Secret Paths in the Forest, Purple Moon Multimedia, Mountain View, CA, 1997.
Swatch Pavilion, Pfau Architecture, Olympic Games, Atlanta, GA, 1996.
Hop, by Haha, Capp Street Project, San Francisco, CA, 1996
American Female, by Laura Brun, Intersection for the Arts, San Francisco, CA, 1994.
Gallery, by Mel Chin, Capp Street Project, San Francisco, CA.
The Airwaves Project, by Shu Lea Cheang, Capp Street Project, San Francisco, CA, 1991.
Fugitive Landing, by May Sun, Capp Street Project, San Francisco, CA, 1991.
A Cheap Watch, directed by Patrick Stettner, Stenola Films, Boston, MA 1989.

Collections
San Francisco Museum of Modern Art, San Francisco, CA
Kiasma Museum of Contemporary Art, Helsinki, Finland.
LEF Foundation, Lodi, CA
Ann Hatch, San Francisco, CA
Ruth Braunstein, San Francisco, CA
Tony Shou, Oakland, CA
Robert Smith, San Francisco, CA
Beau Takahara, San Francisco, CA
David Basham, San Francisco, CA
Lou Ann Bauer, San Francisco, CA
Alan Millar & Sondra Nilson, San Francisco, CA

Recordings
Music for the 21st Century, Leonardo Music Journal CD, Vol.1, No.1, Oxford, England, 1991.
Arf Arf Presents, Arf Arf Records, Cambridge, MA, with the Ski-A-Delics. 1990.
We Are What You Eat, Slippery Slope Music, Boston, MA, with the Ski-A-Delics, 1990.
Lennarcs, Frog Peak Music, Hanover, NH, solo works, 1989.
Snow Bunny Bobby Katz..., Slippery Slope Music, Boston, MA, with the Ski-A-Delics 1989.

Bibliography

2001
Gottstein, Björn, "Intrigantes Kribbeln," Die Tageszietung (Berlin, Germany), June 2, 2001, p. 27.
Wilkening, Martin, "Selstam, dieses Fauchen, Gurgeln, Säuseln," Frankfurter Allgemeine (Frankfurt, Germany), May 18, 2001, p. BS7.
Entress, Matthias, "Gurren & Knurren: 'Flying Machines' in der hörgalerie," Berliner Morgenpost, May 17, 2001, p. 23.
Kurtz, Glenn, "Ed Osborn at the Berkeley Art Museum," Artweek (San Jose, CA), May, 2001, pp. 22-23.
Bowen, Dore, "The Uncertainty of Flight," catalog essay, Klangturm (St. Pölten, Austria), April, 2001, pp. 30-33.
Wilson, Megan, "Stop, Look and Listen," Digital City SF, April 20, 2001, http://www.digitalcity.com.
Westbrook, Lindsay, "Critic's Choice," San Francisco Bay Guardian, San Francisco, CA, April 4, 2001, p. 65.
Zuckerman-Jacobson, Heidi, "Ed Osborn / MATRIX 193: Vanishing Point," catalog essay, Berkeley Art Museum, Berkeley, CA, March, 2001.
Gagnon, Adrienne, "Vanishing Point," Look, Berkeley Art Museum, Berkeley, CA, Spring, 2001, p.12.

2000
Helfand, Glen, "Sonic Boom: 2000 Is The Year Of Sound Art," SF Gate (San Francisco, CA), October 12, 2000, http://www.sfgate.com.
Shulman, Dave, "send + receive: ed osborn," Stylus (Winnipeg, Canada), September / October 2000, p.18.
Helfand, Glen, "Aural Sex," The San Francisco Bay Guardian (San Francisco, CA), September 6, 2000, p. 84.
Wilkenning, Martin, "Das Jammern der Türen," Berliner Seiten (Berlin, Germany), June 27, 2000.
Bibliography (continued)

Meirerhenrich, Doris, "Antennen im Klanggefecht," Potsdamer Neueste Nachrichten (Postdam, Germany), June 29, 2000.
Entress, Matthias R., "Reigen der Klangkünstler: Musik als Echo einfacher Systeme zum Auftakt der Inventionen 2000," Berliner Morgenpost (Berlin, Germany), June 24, 2000, p. 33.
Rowell, Mike, "Electrotherapy," SF Weekly (San Francisco, CA), May 3, 2000, p. 42.
"The Art of Noise, or Visa-Versa," SF Weekly (San Francisco, CA), January 12, 2000, p. 46.

1999
Kahn, Douglas, "Squirming and Recoiling, " catalog essay, Artspace, Sydney, Australia, October, 1999.
Osborn, Ed, "Electricity Arcs Both Ways From Heaven," catalog essay, Artspace, Sydney, Australia, October, 1999.
"Art Picks, " Time Out Sydney Online, Sydney, Australia, November 9, 1999.
Marquez, Susan, "Interiors," World Sculpture News (London, England), Vol. 3, No. 1, Winter 1999, pp 60-61.
Crompton, Angela, "Sound Valid Art Medium," Otago Daily Times (Otago, New Zealand), March 30, 1999, p.16
Alitalo, Tuike, "Äänitaiteen suurkatselmus on tällä erää Aucklandiss," Helsingin Sanomat (Helsinki, Finland), March 21, 1999, p. C7
Schumacher, Donna, "Interiors," Flash Art (Milan, Italy), January - February, 1999, p. 57.

1998
Akiyama, Mitchell, "The Art of Noise: Ed Osborn Captures the Sound of Motion," The Link (Montréal, Quebéc), January 20, 1998, p. 7.
Aquin, Stéphane, review, Voir Montréal (Montréal, Quebéc), January 29, 1998, p. 46.
Bonenti, Charles, "North Adams Opens its Ears to Art," Berkshires Week (Pittsfield, MA), July 2, 1998, p. 12.
Carman, Linda, "Earmarks Designed to Make Imprint on Northern Berkshire Ears," The Advocate (North Adams, MA), July 1st, 1998, pp. 6-7.
Gurewitsch, "The Gallery: Do You Hear What I Hear?" Wall Street Journal (New York, NY), October 1, 1998, p. A20.
Hunt, David, "Pause and Reflect: Sound Art from the Bay Area," Merge (Stockholm, Sweden), No. 2, Fall, 1998, pp. 40-42.
Jette, Rosemary, "Sound and Vision," The Transcript (North Adams, MA), June 26, 1998, pA1.
Lemarche, Bernard, "Symphonie Ludique," Le Devoir (Montréal, Quebéc), January 31, 1998, p. D9.
Lynch, Maryanne, "Room for Chance," RealTime (Sydney, Australia), No. 26, August/September, 1998, p. 16.
­­­­, "A Feverish Impulse," RealTime (Sydney, Australia), No. 28, December/January, 1999, p. 33.
Mattessich, Stefan, "Dromologies: Ecstacises of Speed," Art Papers (Atlanta, GA), Vol. 22, No. 6, November/December, 1998, p. 41.
Ollman, Leah, "Art Reviews," Los Angeles Times (Los Angeles, CA), October 2, 1998, pp. F29-30.
Roufail, Minou, "The Sound of Mass MOCA," ArtNet Magazine (New York, NY), August, 1998.
Scherr, Apollinaire, "Over There," East Bay Express (Berkeley, CA), October 16, 1988, p. 43.
Thompson, Sandy, review, Artweek (San Jose, CA), July/August, 1998, pp. 25-26.
Tynan, Trudy, "Sounds of Distinction," Associated Press (New York, NY), August 9, 1998.

1997
Roche, Harry, "Skeletons," The San Francisco Bay Guardian, September 10, 1997, p. 90.

1996
Alitalo, Tuike & Simo, "Ääni lävistää ja ympäröi kaiken kuin valtameri," Helsingin Sanomat (Helsinki, Finland), April 23, 1996, p. C6
­­­­, "Berliinin taideakatemia juhlii äänitaiteella. Sonambiente-festivaali saa entisen DDRin julkiset rakennukset soimaan," Helsingin Sanomat (Helsinki, Finland), August 26, 1996, p. C2
Amirrezvani, Anita, "Art Festival Breaks the Sound Barrier," The Contra Costa Times (Walnut Creek, CA), March 31, 1996, p. 3H.
Andersson, Arja, "Juna tuo ääniä kuolemankurvista," Ilta-Sanomat (Helsinki, Finland), September 19, 1996, pp. 32-33.
Bindereif, Andrea, "Wenn selbst dis Steine singen," Frankfurter Rundschau (Frankfurter, Germany), April 20, 1996, p. 25.
Bibliography (continued)

Boone, Charles, "SoundCulture 96," P-Form (Chicago, IL), Fall, 1996, pp. 36-38.
Chonin, Neva, "Culture Jamming," The San Francisco Bay Guardian (San Francisco, CA), April 3, 1996, p.31.
Randal Davis, "Sound Art: Some notes away from definition," Artweek (San Jose, CA), August, 1996, pp. 11-12.
Franz, Christina, "Ed Osborn Installation in der Galerie Kästrich," Mainzer Allegemeine Zeitung, September 10, 1996, p 17.
Finkel, Jori, "Over There," The East Bay Express (Berkeley, CA), April 5, 1996, p. 39.
Harlib, Leslie, "Culture sounds off at Falkirk Mansion," Marin Independent Journal (Novato, CA), April 9, 1996, p. C2.
Hohenadel, Kristin, "Pioneering Artists Aim To Push Through The Sound Barrier," The Los Angeles Times (Los Angeles, CA), April 13, 1996, p. F1.
Moore, Jeremiah, review, Musicworks (Toronto, Canada), No. 65, Summer, 1996, pp. 38-40.
Müller, Katrin Bettina, "Windharfen und High-Tech," Tip (Berlin, Germany), No. 17, August, 1996, pp. 76-77.
Osborn, Ed, "SoundCulture 96," Sound Arts (Kobe, Japan), Vol. 8, Summer, 1996, pp. 1-4.
­­­­, "Creaking Grounds: Plate Tectonics and SoundCulture 96," Essays In Sound (Sydney, Australia), No. 3, December, 1996, pp. 45-53.
Peiken, Matt, "Bay Area Artists Get A Chance to Sound Off," Daily Republic (Fairfield, CA), March 29, 1996, p. C1.
Ripatti, Matti, "Kun kuulo säätelee tunnetiloja," Helsingin Sanomat (Helsinki, Finland), September 21, 1996, p. C4.
Scapelliti, Christopher, "Sound + Vision", On The Town (East Grand Rapids, MI), March, 1996, p. 27.
Schumacher, Donna, "Techne," Art Papers (Atlanta, GA), Vol, 20, No. 3, May/June, 1996, p. 32.
­­­­, "Parabolica," Art Papers (Atlanta, GA), Vol, 20, No. 4, July/August, 1996, p. 55.
Tanaka, Yumika, interview, SWITCH (San Jose, CA), Vol. 2, No. 1, Spring/Summer 1996, http://swtich.sjsu.edu/.
Thym, Jolene, "Beyond Music," The Oakland Tribune (Oakland, CA), March 10, 1996, p. C1.
Till, Ulrike, "Schnecken kleben an der Wand," Mainzer Rheinzeitung, September 10, 1996, p. 22.
Tromble, Meredith, interview, Artweek (San Jose, CA), August, 1996, pp. 12-13.
Weathersby, Jr., William, "Swatch Pavilion," Theatre Crafts International (New York, NY), November, 1996, pp. 36-37.
Wissman, Kathrin, "Augen hören, Ohren sehen," Der Tagesspiegel (Berlin, Germany), August 14, 1996, p. 16.

1995
Allen, Sarah, "Emerging Artists," The Oakland Tribune (Oakland, CA), July 10, 1995, p. C1.
Randal Davis, "Big Jesus Trash Can," Artweek (San Jose, CA), March, 1995, pp. 32-33.
Gard, Peter, "7-Up: Sound Symposium Continues to Fizz," ArtsAtlantic (Charlottetown, PEI), No. 51, Winter, 1995, pp. 40-44.
Parpart, Lee, "Listen for the Art at Unique Interactive Show," The Kingston Whig-Standard (Kingston, ONT), June 17, 1995, p. C4.
Roche, Harry, "Big Jesus Trash Can," The San Francisco Bay Guardian, February 8, 1995, p. 88.
Shaboy, Benny, interview, studioNOTES, Benicia, CA, No. 9, September - December, 1995, pp. 2-3.
Shapiro, Carolyn, "Energized," The Record, Troy, NY, October 26, 1995, p. 1.
Young, Gayle, review, MusicWorks (Toronto, ONT), No. 61, Spring, 1995, pp. 62-64.

1994
Cullinan, Helen, "Shattering the Silence," The Plain Dealer (Cleveland, OH), March 28, 1994, p. 3E.
Davis, Randal, "Conceptual Plumbing," Artweek (San Jose, CA), May 19, 1994, p. 18.
Kivelä, Malin, "Avklippta samtal och ljud från Aura å," Åbo Underrättelser (Turku, Finland), August 12, 1994, p.33.
Novakov, Anna, review, Sculpture (Washington, DC), Vol.13, No.1, January-February, 1994, p. 55.
Osborn, Ed, "Self-Portrait," Zyzzyva (San Francisco, CA), Vol. 10, No. 3, Fall, 1994, p. 105.
van Peer, Rene, "Verfrissende kijk op schaduw getreden mediakunst," Eindhovens Dagblad (Eindhoven, Netherlands), September 10, 1994, p. 47.
Ripatti, Matti, "Ääniä kovaäänisten tuolta puolen," Helsingin Sanomat (Helsinki, Finland), August 16, 1994, p. D8.
Roche, Harry, "Resonant Systems," The San Francisco Bay Guardian, May 4, 1994, p. 75.
Bibliography (continued)

Sherman, Ann Elliot, "3-D Explorations," Metro (San Jose, CA), August 11, 1994, p. 23.
Sparks, Amy, "Sound and Fury," The Cleveland Free Times (Cleveland, OH), March 23, 1994, p. 8.

1993
van Peer, Rene, "Diversiteit is sleutword bij Ed Osborn," Eindhovens Dagblad (Eindhoven, Netherlands), October 4, 1993, p. 12.
Sizensky, Liz, "Electronic Anarchists," SF Weekly (San Francisco, CA), September 29, 1993, p. 29.

1992
Oot, Robert, review, Sound Choice (Ojai, CA), No.17, 1992, p. 74.
Roche, Harry, "Zaku Zaku," The San Francisco Bay Guardian, August 12, 1992, p. 53.

1991
Osborn, Ed, "Local Conditions and Perceptual Concerns: Notes on Several Sound Works," Leonardo Music Journal (Oxford, England), Vol.1, #1, December, 1991, pp. 89-93.
Reinbolt, Brian, review, "The 18th Annual Electronic Music Plus Festival," Computer Music Journal (Cambridge, MA), Vol.15, #4, Winter, 1991, pp. 89-94.

1990
Barker, Jade, "These Skis Were Made For Playing," Street (Boston, MA), Spring, 1990, pp. 46-48.
Campbell, Polly, review, The Boston Phoenix (Boston, MA), March 16, 1990, p. 17.
Drake, Al, review, The Noise (Boston, MA), July, 1990, p. 32.
Miller, David, review, High Performance (Santa Monica, CA), No.51, Fall 1990, p. 60.
Tommansini, Anthony, review, The Boston Globe (Boston, MA), July 28, 1990, p. 18.

1989
Barr, Tavis, review, Knot Magazine (Boston, MA), Vol.1, No.1, April/May, 1989, p. 15.
­­­­, article and review, Knot Magazine (Boston, MA), Vol.1, No.2, August/September, 1989, pp. 14-15.
Gunderloy, Mike, review, Factsheet Five (Rensselaer, NY), No.29, May, 1989, p. 125.

1985
Seigel, Jessica, "Wesleyan's Experimental Composers," The Middletown Press (Middletown, CT), February 22, 1985, p. 5.